#TheIrishman was well worth the red eye flight and well worth every single minute of that 3 and a half hour run time. More to come in a review on @ColliderVideo later but that lead trio is just as good as you’d hope & it marks another triumph for Thelma Schoonmaker. #NYFF

— Perri Nemiroff (@PNemiroff) 27. September 2019

Boy. #TheIrishman is a fitting homecoming for De Niro, Pacino, Pesci, and Scorsese’s ode to gangster cinema. Hilarious and sharply written. A portrait of mortality and legacy, told like a culmination of everything we have ever seen in this genre. It’s LONG but never boring. #NYFF pic.twitter.com/OBTAXem4On

— Kevin L. Lee @ NYFF (@Klee_FilmReview) 27. September 2019

THE IRISHMAN is not GOODFELLAS/CASINO part 3. Different pace different tone. It is, however, absolutely fucking fantastic and I am floored. All hail the King.

— Jordan Hoffman (@jhoffman) 27. September 2019

THE IRISHMAN is a masterwork. Funny, epic, and most of all, melancholy. It’s Scorsese confronting aging, legacies, and mortality. I may or may not have teared up at the end...

— Chris Evangelista (@cevangelista413) 27. September 2019

THE IRISHMAN: Pacino unhinges his jaw and swallows this thing whole like a python choking down a gazelle carcass, berserker mode king shit

— Charles Bramesco (@intothecrevasse) 27. September 2019

THE IRISHMAN - Audacious, epic, a film that feels like it spans lifetimes yet whisks by. Technically bold, performances raw and darkly humourous, it is the culmination of Scorsese's genre fascinations, and a late career triumph. Truly cinematic, demanding to be seen big #nyff57

— Jason Gorber @ #NYFF (@filmfest_ca) 27. September 2019

THE IRISHMAN is good! takes 90 minutes to lock in & clear out the cobwebs / adjust to CGI, but the scope is a virtue, the performances are killer (Joseph! Frank! Pesci!) & it eventually coheres into a heart-stopping meditation on the myopia of time. an old man movie for the ages.

— david ehrlich (@davidehrlich) 27. September 2019